An independent show guide not a venue or show. All tickets 100% guaranteed, some are resale, prices may be above face value.We're an independent show guide not a venue or show. We sell primary, discount and resale tickets, all 100% guaranteed prices may be above face value.We are an independent show guide not a venue or show. We sell primary, discount and resale tickets, all 100% guaranteed and they may be priced above or below face value.
This was my third time seeing Les Mis. I know that nothing will ever compare with
the first time in Chicago in the late 80's. I cannot fault the singing. the voices were
terrific but if I had not already known the story, I would not have gleaned it from the
words and actions I observed. The stage was very dark without good spotlighting of
those who were singing or where the action was actually taking place. The songs
seemed rushed and the words frequently garbled. And where was Gavroche's "little
We ate at the downtown Eno Vino. It was great!
Andie Ptak from Seattle, Washington
POOR SOUND DESIGN SPOILED THE SHOW
To start, I last saw this show from G-center with the original Broadway cast, so this
production had a tough act to follow, but I knew that going in. As with many other
reviewers, I found this production to be marred by poor sound design—specifically for
numbers that were backed by full, loud orchestration. That meant that the large chorus
numbers and most of the men's numbers were nearly unintelligable. Thankfully, the
wonderful solo ballads by the highly skilled performers accompanied by softer
orchestration were wonderful. Eponine's "On My On" and Fontine's "I Dreamed a
Dream" were, of course, particular stand-outs, as was "Bring Him Home." It's a shame
that so much of the show was so hard to hear. I highly recommend that anyone who
has tickets listen to the cast album in its entirity BEFORE you go. I wish I had pulled my
vintage vinyl out of the stacks and done so.
Roy Hoagland from Richmond, Virginia
GREAT PERFORMANCES, LOUSY ACOUSTICS
I have seen many a Broadway show and this was one among
equals. The directing was superb, the voices incredible, the sets
amazing, the pit orchestra excellent, he acting as good as it comes
... The acoustics were terrible. We had great seats (front row in the
mezzanine, or Grand Tier as they call it at the Altria theater) and
50% of the words were mush, especially the choral numbers. This
has happened before at the Altria. While the sound was amazing,
the language was indecipherable. I should have asked for a refund
as all four of us in attendance could not understand the sung
dialogue more often than not. But hats off to the performers and
the production company, especially the two leads. Their
performances were stunning.
Loyal Proctors Patron from Valley Falls, New York
IT WAS OKAY BUT NOT AS GOOD AS I EXPECTED
I saw Les Miserables Saturday night at Proctors in Schenectady NY. It
was good but disappointing. I had seen it a few years ago at Proctors
and it was fantastic. This time around it was only okay. The music
seemed off tempo. Some of the actors were lackluster. I agree with
another reviewer who said they had a hard time understanding the
songs even though I’ve listened to them many times. It just felt that the
whole performance was off. Sad because it is one of my favorite
shows. I won’t see again if this is the kind of performance it will be.
Dawn from Richmond, Virginia
LES MIS IN THE DARK?
I saw the truly grand production of Les Miserables years ago so I am probably very spoiled. The biggest problem of this version when I saw it Oct. 23 was lighting. Everything was so dark you could not see the actors very well at all! I understand that this was done in a style which depended on lighting and darkness, but it was WAY too dark. I had trouble telling who was singing as there was not always a spot light on them. I had to search for the singer several times. The sound balance was off for whatever reason. The actors and their singing was truly superb, although I found Javert a trifle jolting in his timing. He also needs to slow down just a bit. Grand voice though.
Deb from New Haven, Connecticut
ENJOYED SHOW BUT NOT THE BEST PERFORMANCE
I love Les Miserables and have seen it many times. Hartford a few years ago and usually New Haven. This time, the sound was awful, I knew most of the lyrics but couldn't understand many of the words being sung. The stage was dark throughout the show and a lot of the staging from previous shows seemed to be gone.
The voices were strong and some songs were excellent and the finale was wonderful, it always brings goosebumps. The sound issues though made it the least enjoyable of all the shows I've seen. Reading some other reviews, I guess it wasn't just ours.
from Little Rock, Arkansas
I've never had such trouble understanding the words in a musical at Robinson. I've heard from several friends who have said the same thing.
The problems were not isolated to the performance in Little Rock. Here's a quote from an October review of the Hartford, CT performance by the same touring company: "I also had some issues with the sound designed by Mick Potter. I know the lyrics of much of the show, but I had a lot of trouble understanding much of what I did not remember from the recording....I would expect flawless sound overall for a national tour."
The lights, staging, and singing were outstanding. But we did not fully experience the performance because of the poor quality sound. With this tour's ongoing problems, they should have found a solution or projected the text.
Please note: The term Academy of Music and/or Les Miserables as well as all associated graphics, logos, and/or other trademarks, tradenames or copyrights are the property of the Academy of Music and/or Les Miserables and are used herein for factual descriptive purposes only.
We are in no way associated with or authorized by the Academy of Music and/or Les Miserables and neither that entity nor any of its affiliates have licensed or endorsed us to sell tickets, goods and or services in conjunction with their events.